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Roswell Rudd and Badma-Khanda
The Mongolian Buryat Band

Sunday, November 12 • 2pm

Florence Gould Theatre, Legion of Honor
  • venue info
  • $25 GA
  • "Rudd extracts sounds from the trombone that go back to New Orleans and further ahead than anyone has yet reached." ­ Nat Hentoff in Cosmopolitan

    Program Notes

    For years, Roswell Rudd was best known as the trombonist of choice for avant-garde luminaries Cecil Taylor, Archie Shepp, Steve Lacy, Charlie Haden’s Liberation Music Orchestra, and his own New York Art Quartet. But Rudd’s musical résumé also features a fascinating mix of Dixieland jazz, straight ahead playing and, more recently, world music.

    His introduction to music came at the hands of his father, an amateur drummer. Though Rudd’s first instrument was the French horn, he gravitated to the trombone due to a growing affinity for jazz. It proved to be a wise decision for this three time (2003-2005) Jazz Journalists Association “Trombonist of the Year” and recipient of a Guggenheim Fellowship in composition.

    His latest project builds on the success of his infectious 2003 release MALIcool, on which he explored the shared musical roots of America and Mali with master kora (a harp-like instrument) player Toumani Diabate. Rudd’s globetrotting took him next to Mongolia, where he encountered the traditional Buryat musicians featured on his newest album, Blue Mongol. Featuring a mix of traditional Mongolian tunes and Rudd originals, the album—and this afternoon’s performance—features throat singing, horse head fiddles, Rudd’s boisterous trombone, the flute-like limbe and the exquisite vocals of Badma Khanda. The New York Times noted, “Rudd and the Mongolian Buryat Band have pioneered an altogether new form of music without label, genre, or category.”

    Personnel:
    • Roswell Rudd, trombone
    • Badma Khanda,vocals
    • Battuvshin Baldantseren, throat singer/ flute/bass
    • Javkhlan Erdenebal, horse hair fiddle
    • Jamiyan Urantugs, zither
    • Sayana Tabkharova, dulcime