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Pre-Season Events
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“Malian Master”
Toumani Diabate's Symmetric Orchestra
Saturday, January 26, 8PM
Herbst Theatre |

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“The greatest exponent of the African classical harp.” —Guardian (UK)
Malian superstar Diabate's “effortless and at times unbelievably rapid-fire kora work” (Guardian, UK) is given a thrilling showcase with his high-powered orchestra that combines traditional West African sounds with pop, Afro-Cuban music, and more. |
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Discover
Jazz: History and Appreciation Course
Thursdays, February 7–March 6, 6-8PM
Jewish Community Center of San Francisco |

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Perfect for jazz newcomers and longtime fans alike, this five-part course explores the history of the tenor sax and the art of some of its most celebrated devotees, from Coleman Hawkins to Wayne Shorter and beyond. Course taught by SFJAZZ Education Director Cory Combs, with live music by special guests. |
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"50th Anniversary of the Bossa Nova"
SFJAZZ Members Listening Party with Oscar Castro-Neves
Tuesday, March 4, 7PM
Yerba Buena Center for the Arts Forum |

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Join seminal Brazilian guitarist Oscar Castro-Neves, one of the fathers of bossa nova (see bio) in conversation with SFJAZZ Executive and Artistic Director Randall Kline, sharing personal experiences and candid insights about the fabled history of bossa nova, leading SFJAZZ Members through an engaging guided listening of classic and rare recordings. |
March
| THE DISCOVERY SERIES |
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“Orchestral Innovators”
Travis Sullivan’s Björkestra; Realistic Orchestra
Thursday, March 6, 8PM
Yerba Buena Center for the Arts Forum |

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“The hippest of New York's downtown jazz scene.” —Time Out New York on Björkestra
Sullivan’s 18-piece band recasts the soaring melodies and transcendent rhythms of Icelandic pop-muse Björk’s music. SF’s 20-player-strong Realistic Orchestra delivers full-bore tributes to everyone from Prince to Van Halen. |
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“Modern Minimalists”
Nik Bärtsch’s Ronin; The Frequency
Friday, March 7, 8PM
Yerba Buena Center for the Arts Forum |

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“Music that throbs with a pulsating dynamism that's almost hypnotic” —Guardian (UK) on Ronin
Swiss pianist Bärtsch’s “Zen-funk” is ”digital-age music performed with analog sensibility” (Guardian, UK), as on his latest ECM release Stoa. L.A.'s The Frequency feature analog moogs, synths, and electronics that range from Brian Eno-inspired minimalism to massive cinematic heights and everything in between |
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“Eclectic Alchemy”
2 Foot Yard; Iron & the Albatross
Saturday, March 8, 8PM
Yerba Buena Center for the Arts Forum |

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“A compellingly individual vocalist/songwriter/arranger.” —Billboard on Carla Kihlstedt (2 Foot Yard)
Tin Hat veteran Kihlstedt, “a monster virtuoso on numerous instruments…and an inventive, singular artist” (Stereophile) fronts her own trio, 2 Foot Yard. Multi-instrumentalist Ara Anderson’s Iron & the Albatross enchants with cinematic, haunting old-world music. |
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“New Israel”
Third World Love; Yaron Herman
Sunday, March 9, 8PM
Yerba Buena Center for the Arts Forum |

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"This band is killer" —The New York Times (on Third World Love)
Global rhythms from Africa, the Middle East merge with jazz in Third World Love, an American-Israeli quartet that combines astounding musicianship with irresistible grooves. Israeli pianist Herman reinvents the Police, Björk, Jeff Buckley, and more of the pop songbook. |
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“Piano Trios I”
Keith Jarrett, Gary Peacock, & Jack DeJohnette
Saturday, March 8, 8PM
Nob Hill Masonic Center |

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“Very simply, this is jazz at its finest” —Los Angeles Times
“The greatest piano trio in contemporary jazz” (BBC) celebrates 25 years of redefining the Great American Songbook. From their Standards albums (soon to be re-released in an ECM box set) to their storied live shows, these three jazz legends deliver matchless, masterful music. |
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“Tyner and Taps”
McCoy Tyner Trio with Savion Glover
Friday, March 14, 8PM
Davies Symphony Hall |

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“One of jazz’s major figures” —The New York Times on McCoy Tyner
Piano legend Tyner meets the propulsion of tap-dancer Glover, whose “intricate steps and manic energy pushe[s] the Tyner trio's rhythmic envelope nearly to the breaking point—and pull[s] the willing audience into a frenzied, percussive vortex” (Hartford Courant). |
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“Swinging Strings”
Regina Carter Quintet
Friday, March 21, 8PM
Herbst Theatre |

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“Probingly intelligent, and…breathtakingly daring.” —Time
“A jazz violinist of uncommon accomplishment” (The New York Times), MacArthur “Genius” award-winner Carter combines Motown soul, world rhythms, unbridled verve, and a “boundless improvisational imagination” (DownBeat). |
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“Solo Voyage”
Denny Zeitlin, solo piano
Saturday, March 22, 2PM
Florence Gould Theatre |

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“Alternately thundering, funky and sensitive, and full of delightfully surprising twists and turns.” — San Francisco Chronicle
“World-class jazz musician” (Los Angeles Times) Zeitlin explores the essence of his wide-ranging pianism in this riveting solo performance in one of SF’s most intimate theaters. |
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“70th Birthday Celebration”
Charles Lloyd New Quartet featuring Jason Moran, Reuben Rogers, Eric Harland
Friday, March 28, 8PM
Herbst Theatre |

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“Charles Lloyd is a rare original.” —Los Angeles Times
Saxophone legend Lloyd enters his seventies “playing the most vital music of his career” (All About Jazz). His all-star group features acclaimed piano innovator Moran, bassist and Wynton Marsalis alum Rogers, and thunderous SFJAZZ Collective drummer Harland. |
April
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“Funky Fusion”
Hiromi
Friday, April 4, 8PM
Palace of Fine Arts Theatre |

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“She is nothing short of amazing.” —Ahmad Jamal
A riveting live performer, pianist Hiromi merges youthful energy with stunning virtuosity. The Village Voice calls her playing “Awe-inspiring. She is in and out like a downhill racer, lost in the music and the moment.” |
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"The Latin Side of Wayne Shorter" featuring Conrad Herwig, with special guest Eddie Palmieri
Saturday, April 5, 8PM
Palace of Fine Arts Theatre |

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“The best trombonist on the planet.” —Eddie Palmieri
Where clave rhythms and classic jazz meet: Herwig’s Grammy-nominated “Latin Side” project, which has already featured the music of John Coltrane and Miles Davis, offers a fresh, Latinized take on the brilliant compositions of Wayne Shorter, joined by Latin jazz piano icon Palmieri. |
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“Family Matinee”
Joe Sample, solo piano
Sunday, April 6, 3PM
Herbst Theatre |

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A pianist since the age of five, Sample shares that early love of music with families at this shorter, discount-priced family matinee. Sample’s solo performance features an abbreviated version of his famed History of Jazz Piano program. |
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“History of Jazz Piano”
Joe Sample, solo piano
Sunday, April 6, 7PM
Herbst Theatre |

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“The history of the jazz piano as expressed by a master of the form” —Variety
A keyboardist with a deep sense of groove, Crusader’s founder Sample brings jazz history to life with an acclaimed overview of piano styles, “display[ing] his prowess for stride, boogie-woogie, ragtime and dynamic-drenched balladry” (Billboard).
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“Jazz Master”
Wayne Shorter Quartet: Danilo Perez, John Patitucci, Brian Blade with special guests Imani Winds
Friday, April 11, 8PM
Nob Hill Masonic Center |

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“One of the most significant composers and individual saxophonists in jazz.” —The New York Times on Wayne Shorter
Sax legend and NEA Jazz Master Wayne Shorter celebrates his 75th Birthday Year with a very special evening: a singular performance with Shorter’s new classic quartet, and the U.S. Premiere of a unique collaboration with next-wave wind ensemble, Imani Winds. |
JAZZ + SILENT FILM FESTIVAL
Three of the greatest silent films of all time come alive with a 21st-century beat at SF’s grandest movie palace. All screenings feature live performances of original scores by renowned silent-film accompanists and Bay Area legends the Club Foot Orchestra.
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Sherlock Jr.
Live Music by Club Foot Orchestra
Saturday, April 12, 3PM
Castro Theatre |

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In this discount-priced matinee show, silent-movie icon Buster Keaton stars in one of Time Magazine’s “All-Time 100 Best Films”—the hilarious tale of a hapless projectionist who daydreams his ways into the movies. |
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The Cabinet of Dr. Caligari
Live Music by Club Foot Orchestra
Saturday, April 12, 7PM
Castro Theatre |

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In the first of two German Expressionist classics in the film fest, the mad mesmerist of the title and his faithful servant, Cesare, are at the heart of a series of mysterious murders when the carnival comes to town. Or are they? Wait for the famous twist ending… |
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Nosferatu
Live Music by Club Foot Orchestra
Saturday, April 12, 9PM
Castro Theatre |

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The granddaddy of all vampire films, F.W. Murnau’s loose (and unauthorized) adaptation of Bram Stoker’s Dracula stars Max Schreck as the perennially chilling prince of the undead, Count Orlock. |
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“The New Fado”
Ana Moura
Sunday, April 13, 7PM
Herbst Theatre |

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“The listener will be charmed by this superb young fadista.” —Billboard
With a spellbinding contralto, heart-rending lyrics, and deep respect for tradition, vocalist Ana Moura invigorates the Portuguese fado, taking “her country's traditional songs and polishing them into diamonds” (Time Out New York). |
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“Piano Trios II”
Bobby McFerrin, Chick Corea, & Jack DeJohnette
Thursday, April 17, 7:30PM
Nob Hill Masonic Center |

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“McFerrin is a musical phenomenon.” —The New York Times
With an elastic voice evoking an array of instruments, ten-time Grammy award–winner McFerrin and two Miles Davis veterans—masterful keyboardist Corea and legendary drummer DeJohnette—join together for the first time in this novel take on the piano trio. |
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"Island Rhythms'”
Lura
Friday, April 18, 8PM
Herbst Theatre |

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“The most dynamic performer in world music.” —The Times (UK)
Cape Verdean singer Lura captivates with her “lithe, restless, and magnificently unselfconscious” (The Times, UK) performances. Like her mentor Cesaria Evora, she moves easily between heartfelt mornas and uptempo dance music. |
| JAZZ MASTERS SERIES |
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SFJAZZ Members-Only Concert
“Jazz Master: Saxophone”
James Moody Quartet
Thursday, April 24, 7:30PM
Yerba Buena Center for the Arts Forum |

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"As a musical explorer, performer, collaborator and composer [Moody] has made an indelible contribution to the rise of American music as the dominant musical force of the twentieth century." —The New York Times
SFJAZZ Members enjoy an exclusive evening with quintessential reedman James Moody, whose 60-year career stretches across bebop to hard bop, rock, and beyond. |
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“Jazz Masters: Vocal Blues”
Mose Allison Trio
Friday, April 25, 8PM
Yerba Buena Center for the Arts Forum |

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“Nothing less than a National Treasure.” —The New Yorker
Suave, sophisticated, and satirical, vocalist/pianist Allison’s music mixes delta blues, boogie-woogie, and urbane jazz. A master songwriter (“Eyesight to the Blind,” “Young Man Blues”) Allison “brings as much interpretive depth to the popular song as anyone singing today” (Chicago Sun-Times). |
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“Jazz Masters: Vocal Diva”
Ernestine Anderson
Saturday, April 26, 8PM
Yerba Buena Center for the Arts Forum |

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"A wonderfully, expressive vocalist" —Washington Post
Quincy Jones once compared Anderson’s warm, rich voice to “honey at dusk.” A legendary vocalist who has worked with masters like Lionel Hampton, Anderson is “able to pierce the emotional core of a lyric” (Washington Post). |
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“Jazz Masters: Alto Saxophone”
Lee Konitz
Sunday, April 27, 7PM
Yerba Buena Center for the Arts Forum |

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“Konitz is still able to…blow your mind.” —The New York Times
A pioneer of “cool jazz” in the late ’40s with the likes of Miles Davis and Lennie Tristano, Lee Konitz is one of the most influential and individual alto saxmen in jazz history—and, at age 80, continues to inspire both audiences and fellow artists alike. |
May
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“Piano Latino”
Chano Dominguez; Pablo Ziegler Trio
Friday, May 2, 8PM
Palace of Fine Arts Theatre |

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“Chano is one of the ten best musicians in this world.” —Wynton Marsalis
Journey across the Atlantic with two peerless pianists: Spain’s Dominguez delivers an electrifying take on the traditional flamenco; Grammy-winner and Astor Piazzolla veteran Ziegler showcases the vitality of Argentina’s New Tango in the post-Piazzolla era. |
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“Voices of Brazil I"
Lenine
Saturday, May 3, 8PM
Palace of Fine Arts Theatre |
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Lenine has cancelled his 2008 U.S. tour, and tickets are no longer on sale for this event. If you have already purchased tickets, please contact the SFJAZZ Box Office at 415-788-7353 to exchange or get a refund for your purchase.
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“Family Matinee”
Crosspulse Percussion Ensemble
Sunday, May 4, 2PM
Palace of Fine Arts Theatre |

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With its interactive blend of synchronized movement, hand drumming, innovative body music, and lush vocals, the Crosspulse Percussion Ensemble (founded by Keith Terry) will delight adults and children in this shorter, discount-priced matinee performance. |
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“Family Harmony”
Cherryholmes
Sunday, May 4, 7PM
Palace of Fine Arts Theatre |

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“The hottest new act in bluegrass.” —AP
America’s Grammy-nominated first family of bluegrass combines seamless vocal harmonies, razor-sharp instrumental chops, and classic songwriting to create “music [that] has a drive and energy that would leave even Bill Monroe out of breath” (Vintage Guitar). |
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“Piano Trios III: The New Standard”
The Bad Plus; Doctor 3
Thursday, May 15, 7:30PM
Palace of Fine Arts Theatre |

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“[An] audacious, rule-breaking jazz trio.” —Billboard on The Bad Plus
The Bad Plus is “better than anyone at mixing the sensibilities of post ’60's jazz and indie rock” (The New York Times). Italy’s Doctor 3, led by pianist Danilo Rea, redefine the music of their youth (Neil Young, Paul Simon, and much more) with staggering instrumental prowess. |
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“Sacred Space: Bach Cello Suites”
Lynn Harrell
Thursday, May 22, 7:30PM: Suites 1, 5, 3;
Friday, May 23, 8PM: Suites 2, 4, 6
Grace Cathedral |

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In a rarefied combination of profound music, visionary artistry, and a majestic space, Grammy award–winning cellist Lynn Harrell performs his acclaimed rendition of the complete Bach Cello Suites, some of the most moving music ever written. |
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“An Evening With…”
Dianne Reeves
Friday, May 23, 8PM
Saturday, May 24, 8PM
Herbst Theatre |

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“The only jazz singer with a voice big enough to rival Sarah Vaughan’s.” —The New York Times
With a voice that is “powerful and intimate and full of emotion” (Boston Globe), four-time Grammy winner (most recently for the Good Night and Good Luck soundtrack) Dianne Reeves unveils works from a new CD of original compositions. |
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“Voices of Brazil II”
Rosa Passos
Sunday, May 25, 7PM
Herbst Theatre |

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"Her voice has the clarity of water. It is surely one of unusual splendor.” —All About Jazz
An SFJAZZ Debut! Widely regarded as “a feminine João Gilberto,” singer/guitarist Passos makes a rare US appearance with music that “superbly demonstrate[s] the subtle interplay between the voice and guitar that is the foundation of [Bossa Nova]” (Los Angeles Times). |
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“Sacred Space”
Le Mystère des Voix Bulgares
Date Change—Read More
Wednesday, May 28, 7:30PM
Grace Cathedral |

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“The most beautiful music on the planet” —St. Louis Post-Dispatch
In an otherworldly combination of sound and space, the Grammy-winning Bulgarian women’s choir “Le Mystère” reprises its sold-out 2006 “Sacred Space” concert, transforming centuries-old traditional songs with modern arrangements and transcendent harmonies. |
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Miles From India Sold Out
Saturday, May 31, 8PM
Palace of Fine Arts Theatre |

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Grammy-winning producer Bob Belden’s monumental “Miles from India” CD project (releasing spring ’08) comes to life onstage, as Miles Davis veterans Ron Carter, Badal Roy, Wallace Roney, and other jazz greats join masters of Indian music for a culture-crossing exploration of Miles’ music. |
June
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“Jazz Generations: The Music of Wayne Shorter"
SFJAZZ HIgh School All-Stars with Special Guest Miguel Zenón
Sunday, June 1, 7PM
Herbst Theatre |

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“The best young jazz talent in the Bay Area.” —Jazz Steps
The finest young musicians in the Bay Area deliver their valedictory concert, joined onstage by SFJAZZ Collective alto saxophonist Miguel Zenón! . |
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“Piano Trios IV”
Brad Mehldau Trio
Friday, June 6, 8PM
Herbst Theatre |

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“Mehldau achieves an almost spiritual resonance, chords echoing like amens.” —Time
Mehldau’s group has redefined the modern jazz piano trio. Shifting effortlessly between jazz standards and reinventions of contemporary pop like Björk and Radiohead, Mehldau is “universally admired as one of the most adventurous pianists” (Los Angeles Times). |
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“Fiesta Venezuela”
Edward Simon and the Ensemble Venezuela; Aquiles Baez Ensemble; VNote Ensemble
Sunday, June 8, 7PM
Herbst Theatre |

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“It's Simon's ability to make every note count and every phrase feel special that makes his work truly sing.” —All About Jazz
Experience the vibrant diversity of Venezuelan music, from African drumming to Caribbean calypso, with two international stars—pianist Simon and guitarist Baez—and Bay Area favorite Jackeline Rago’s VNote Ensemble. |
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“West Coast Premiere: La Leyenda del Cañaveral”
David Sanchez Sextet
Friday, June 13, 8PM
Herbst Theatre |

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“The most profound young tenor saxophonist working today.” —Chicago Tribune
“A saxophonist who always has stayed far ahead of the pack” (Chicago Tribune), Sanchez performs his new work, La Leyenda del Canavera, a musical exploration of the African Diaspora drawing on jazz and sounds from East Cameroon, Tanzania, and the Caribbean. |
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“Standards Redefined”
Patricia Barber; Jessica Williams
Saturday, June 14, 8PM
Herbst Theatre |

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“The coolest singer/songwriter around.” —Los Angeles Times (on Patricia Barber)
One sly and sophisticated wit salutes another as singer/pianist Barber performs a 21st-century take on the Cole Porter songbook. Williams, called “the finest pianist of our time” (All About Jazz), re-imagines standards in a solo set. |
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“Delta Blues Summit”
Taj Mahal; Keb' Mo'
Friday, June 20, 8PM
Nob Hill Masonic Center |

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“A master of blues and folk styles…and a commanding singer with a raw, immediately recognizable baritone.” —The New York Times on Taj Mahal
Two-time Grammy-winner Mahal celebrates four decades of globe-spanning music, from country blues to world rhythms. Latter-day blues master Keb’ Mo’ draws on rock, folk, pop, and jazz in an up-to-date Delta sound both earthy and urbane. |
SFJAZZ in July
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“Brazilian Maestro"
Gilberto Gil
Wednesday, July 2, 7:30PM
Nob Hill Masonic Center |

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“One of the world’s great songwriters” —The New York Times
A Brazilian cultural icon, singer, songwriter, and masterful guitarist Gil embodies the restless, rhythmic spirit of Brazilian music from bossa nova to tropicalia and beyond. |
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“Soul Stew Revival”
Derek Trucks and Susan Tedeschi
Sunday, July 27, 7PM
Nob Hill Masonic Center |

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“Two of the best young blues musicians in the world.” —Deseret News
“The most awe-inspiring electric slide guitar player performing today” (Wall Street Journal), Trucks joins forces with soulful singer, songwriter, and guitarist Tedeschi for a raucous live performance steeped in blues, roadhouse rock and American roots. |
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