Meshell Ndegeocello | SFJAZZ 2024-25 Season
Meshell Ndegeocello
The Gospel of James Baldwin

Meshell Ndegeocello

No More Water

JAN 17-19 | Meshell Ndegeocello

Jan 17 - Jan 19, 2025
Miner Auditorium
FriJan 17
7:30 PM

$35 | $55 | $85 | $105 | $115

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SatJan 18
3:00 PM

$30 | $50 | $75 | $95 | $105

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SatJan 18
7:30 PM

$35 | $55 | $85 | $105 | $115

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SunJan 19
7:00 PM

$30 | $50 | $75 | $95 | $105

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Recommended by Terence Blanchard
"Meshell Ndegeocello is one of the funkiest and smartest bassists of our times and truly a brilliant artist who is very conscious of her surroundings and uses her art to help further mankind."

ABOUT THIS SHOW
Following her magical appearances during the 2022-23 Season, GRAMMY-winning bassist, singer, and songwriter Meshell Ndegeocello brings her latest project to the Miner stage, No More Water/The Fire Next Time: The Gospel of James Baldwin, music from her new Blue Note album inspired by the iconic essayist, novelist, and activist in recognition of what would have been his 100th birthday.

The Berlin-born Ndegeocello cut her teeth on Washington D.C.’s explosive go-go circuit in the 1980s and was one of the first artists signed to Madonna’s Maverick Records label, which released her landmark neo soul album Plantation Lullabies in 1993.

A GRAMMY winner and 11-time nominee, Ndegeocello built a career as an uncompromising artist whose deliriously funky and soulful work is a powerful commentary on race, gender issues, and LGBTQ+ rights.  

She’s released 13 albums as a leader and has amassed a distinguished list of collaborators including Jason Moran, Herbie Hancock, Robert Glasper, John Mellencamp, Madonna, Pat Metheny, Marcus Miller, Terence Blanchard, and The Blind Boys of Alabama.  

No More Water/The Fire Next Time has its roots in Ndegeocello’s 2016 commission by the Harlem Stage’s WaterWorks program. In her words, “Baldwin speaks about things that are very familiar within the human condition, and the most revolutionary music to me — the music that changed my life — is the songs about the inner struggle, the commonality of being human.” 

More

The GRAMMY-winning bassist, singer, and songwriter brings music from her new Blue Note album inspired by the iconic essayist, novelist, and activist James Baldwin in recognition of what would have been his 100th birthday. 

PRESS
Meshell Ndegeocello Could Have Had Stardom but Chose Music Instead (New York Times)

The world needs more musicians like her; creatively restless and ambitious

NPR

The world needs more musicians like her; creatively restless and ambitious

NPR

Personnel

Meshell Ndegeocello bass, vocals
Christopher Bruce guitar
Jebin Bruni  keyboards
Jake Sherman organ
Abe Rounds drums

Her musical sensibilities are about as close to flawless as it gets, her instincts finely honed and her style refreshingly indescribable

PopMatters

Personnel

Meshell Ndegeocello bass, vocals
Christopher Bruce guitar
Jebin Bruni  keyboards
Jake Sherman organ
Abe Rounds drums

Her musical sensibilities are about as close to flawless as it gets, her instincts finely honed and her style refreshingly indescribable

PopMatters

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